Theatremonkey braces itself for the backlash when it admits it found this show utterly, utterly lame. (And, no, we are not Phans or groupies. The music is very enjoyable and much more familiar than I expected. A word about the staff - I would have thought that faced with the monotony of dealing with the same tourist crowd with the same familiar music they would lose a bit on the service front, not a bit of it. How to score cheap theatre tickets in Melbourne. Very nice people! However, you might be better off with front balcony seats than with rear mezzanine, especially at older theaters such as the Lyceum, the Belasco, and the Shubert. The latecomers were held back our side, and then began lots of standing by Ushers in the middle of the aisle waiting to place the theatregoers. The struggle that Christine faces in choosing between the Phantom and Raoul represents her two very different sides; the dark, edgy Phantom, verses the safe Raoul. Christian Ball, Didn't like this musical - worst musical I have seen in West End. Please.) Emma The scene with the gondola, the dry ice and the candles was breathtaking and seamlessly done. I loved it. 'Wishing you were somehow here again' in the grave is a richly powerful song, and the lead roles had voices which were shattering. The acoustics in this theatre are good anyway but the sound from the stage was very clear. D13 & 14 Fantastic seats. I felt the seat was more comfortable as well, maybe as a result of me not having to crane my neck from side to side and upwards. I could not say anything as we were all so cramped together - it looks like they have added an extra row of seats and pushed the other seats really close together. Pontefract. I would definitely recommend this show. And bigger orchestra Theatres use "dynamic pricing." Haymarket, St. James's, London SW1Y 4QL 020 3925 2998. We had seats D22 and D23 in the stalls, tickets bought via the annual 'Get into London Theatre' offer. Sat in seats K9 and 10 (Stalls), which provided a very good view, as did all seats in that row, but I think the seats should be down priced from Row N back, as they really are not worth full price. I found myself having to look from side to side on occasions and had to look almost straight up to see the Phantom in the chandelier. I understand people have different tastes but this is ridiculous! For the best experience, theres nothing like the centre of the stalls. The legroom wasnt too bad ( I am 5 feet 5) and the seats were a standard size. The seats are so close together I was basically cuddling strangers, and there was absolutely no room for anyone to walk past you down the row, forcing everyone to have to stand up and get out of their seat any time someone needed to get by. Originally designed by John Truscott, it suffered from poor acoustics for years, but these issues were largely eradicated in the upgrade, and now even high up in the balcony, the sound is powerful. Karen. But there are certain seats in the Princess that make you feel like royalty. Nearly all seats have an unrestricted view. From here the music and sound was also excellent. Ah well, still the best show there is, cannot see it enough times, and we still cry during it, and wish Christine would choose the Phantom instead! ____________________________, I would just like to add my review of a most wonderful and exhilarating performance of 'Phantom' (9th June 2007). The music is so beautiful and the set amazed me with the chandelier and staircase. It is dragging the West End back. The show was appalling. That said, there is something thrilling about the proximity to the actors you get in the lower section, and certainly the front rows are nowhere near as limited as in the Sumner. Port Talbot, South Wales However, having read a couple of scathing reviews (the Theatremonkey Opinion included), the more rational part of me was expecting a load of over-sentimentalized nonsense. Unfortunately, the audience seemed as badly behaved as ever at this show - one woman sat behind me was munching crisps during the first act, whilst a man sat behind me was translating the show for his friend. The only point from Theatre Monkey's review that I do agree with is that Christine should definitely have got the Phantom!! _____________________. It sits low, so you don't feel you are peering down on a show, and it is relatively close to the stage. The plot was pretty lame, all the excitement was gone for me by the end of the first half. Killian impressed me straight away. The cast and costumes, the music was superb. The material has been carefully compared I thought these seats were a real treat, especially with with no seats in front so no heads to obscure the view. I complained to the box office at the interval, the receptionist was apologetic but confirmed that the seats were not 'restricted viewing' - she gave me a comments card to fill in.However on returning home I e-mailed my complaints to the Theatre and received a reply immediately. During the fog scene I could see the Phantom and Christine in the boat (squinting, admittedly, but you could see them). Becky Not only was this happening but I was leaning to the right (luckily it was towards my friend in seat G1) which made my right leg dangle lower than my left one!! Or just go see Les Mis for the 1,500th time. :) I sat in G2 and realised that the seat looked new and had obviously been refurbished. On the stage right in front of me was a wooden block which may have contained lighting. They join Matt Blaker as Raoul and Kelly Glyptis as Carlotta, Matt Harrop as Monsieur Firmin, Adam Linstead as Monsieur Andr, Greg Castiglioni as Ubaldo Piangi, Francesca Ellis as Madame Giry and Ellie Young as Meg Giry. Exactly what you want from a West End show - drama, excitement and a good old dose of gothicness! 2 March 2023. I'm 5ft 9". It really was entertainment at its best. All the principles were on, which was great for me. There is no differentiation between sections of this theatre, so the seating bank is more akin to something youd see in a lecture hall. Whilst a little disappointed that we were seeing the understudy, we came with open minds. Kirsty I enjoyed it very much, my whole opinion of opera has changed. Seats were great, we had G15 (aisle) and G16 in the Stalls. _____________________, I went to see The Phantom of The Opera on the 1st December 2009 with a group of friends. I had booked row E seat 1 of the royal circle for that night's performance as I had been wanting to see Katie Hall as Christine for AGES - and I was also pleased at the thought of seeing John Owen Jones as the Phantom, as I had previously seen the two actors in the 'Les Mis' tour last year. The singing was superb (The Phantoms voice was a bit ropey in places, but the rest of the cast more than made up for that). It was great being so up close and personal to the actors and catching their eye on several occasions ;). I've come away from some musicals raving about the likes of Kerry Ellis and Laura Michelle Kelly, but I'm none the wiser about the three leads in Phantom, and to be honest have no interest in looking up their bio's. All in all a good evening out but be prepared that this is more opera based than the Mama Mia style. You are close to the stage without being too close, you can see the actors faces clearly; and the famous chandelier is just to the right of you a little bit when it goes up and down so it's not very scary being under it. I don't think we missed a thing. I know this is musical theatre and that perhaps it requires more suspension of disbelief than other theatre, but in this case the only thing that could have suspended my disbelief was if you sentenced it to life. ____________________. Save your money for the tour, guys - at least they *have to* keep that one sharp. I can't compare the current cast with any other but they didn't strike me as anything special. In this instance they use height and there were some exciting moments! ______________________________. All three of us thought it was absolutely outstanding: John Owen-Jones was so powerful and charismatic as the Phantom, his voice was amazing (I was only sorry we didn't see as much of him as I would have liked! The other great thing is that you are not distracted by backstage activity - very professionally/smoothly done with black masking and respectfulness to audience members. The cast was excellent, and the Phantom's performance was quite impressive and emotional. We checked on this site for seat info and had seats K23 and 24 in the stalls and found them very good, saw everything, my cousin is slightly taller than me so she could see the chandelier right to the top. Kristina P. Good meal, and good seats (A24 and A25, front row of Dress Circle.) I think we can all be glad he didn't wait for Mr. Schnberg's work to move out or London Theatre would look very different today. As per usual, Row B suffers from your view being spoilt if people in front lean over; I found myself envying the people sat in the central section in Row A as they paid the same price as me but are great seats. Part of me was hoping for amazing music, awe-inspiring sets and an emotional rollercoaster of a story. My main problem is that the music is boring. From centre to stage right wings, you slowly are able to see less and less You will be able to see the top halves of the actors when they dwell in the stage right area unless they are very far upstage right or very downstage right. So it is no surprise to me he has gone from strength to strength in his career, and the role of Phantom is surely one of the most demanding on any singer. Brilliant view, although little leg room - but that is because the theatre is old, so has to be expected. The upper balcony is above these seats which restricts view and there is a pillar that support the balcony but seats are okay. Is the Director's Box upgrade worth getting for pre-show and the interval? _______________________. I'm going to see the musical for the first time. We had Stalls G 1 and 2. __________________. _____________________, We saw 'Phantom of the Opera' on 7th January 2009. ________________________, May 2011. Lets get it clear: Paul Johnson of Port Talbot could not be more wrong in his summary of Brian McCanns performance as understudy Phantom. The sets quite good..and some of the songs quite memorable. The seats on the very ends of the rows are as unobstructed as those in the centre, and with everyone in the one space, theres something endearingly collegiate about it. Really enjoyed the show, Earl Carpenter as Phantom and Rachel Barrell as a superb Christine. He sang brilliantly in the title song, and in 'Music Of The Night' he acted and sung flawlessly. The box office clerk said they were running in a new cast and this made it even more enjoyable, queuing whilst listening to some good choral singing. I was sitting front row centre (B13 and 14) and found these seats to be very good, experiencing no problems at all. The stage was at eye level so smoke floor appeared as a thin layer (whereas from upper levels you could see the entire floor of smoke covering the distance). It would seem this row has been made smaller due to the premium seats in front of it, but having the asile seat meant I could stretch my legs out fully was the only saving grace. The atmosphere, the stage effects, props and set design were top notch and the costumes gorgeous. Ramin Karimloo made a wonderful 'Phantom', Gina Beck an amazing 'Christine' (what a voice! Stall standing is floor and is standing only. Phantom is also a quiet musical, and does not rely on deafening the audience to be effective, apart from the natural crescendos within the score, and obviously the Phantoms theme tune The lighting is absurdly clever, as are most of the special effects. Revel in the haunting beauty of Paris Opera House in Andrew Lloyd Webber's world-famous musical at Her Majesty's Theatre. These seats are very good. Tickets in the balcony seem to be a waste of money unless you can buy row.A #phantomoftheopera #phantom #hmtHave previously bought RV restricted view tickets and they were even worse. *** 'Alternate' An actor assigned to play a lead role on fixed dates when the lead actor is absent either on holiday or taking a 'rest' day each week.) Very enjoyable, polished 5 star performance. Regarding the view from the seat, well I agree thoroughly with the Monkey's point about 'Phantom' being over melodramatic, and I'm not really a Lloyd Webber fan but found it a great experience largely due to good performances and staging, - particularly from the seat's location. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. Good view of the stage though quite high up. Overall I loved it and found it very enjoyable, and I would recommend it. I went to see this on Monday 5th January 2009, my first visit. They make you feel like an interloper, or something tacked on at the last minute. 2023 whichseats.com, Her Majesty's Theatre (His Majesty's Theatre) Grand Circle K8, https://www.whichseats.com/her-majestys-theatre/grand-circle/k/8, Seat K8 in the Grand Circle at the Her Majesty's Theatre (His Majesty's Theatre), Her Majesty's Theatre (His Majesty's Theatre). I was seated in row L seat 5 - totally great seats - at Her Majesty's Theatre. I was there with my missus, celebrating her 50th birthday, and travelling from northern Sweden and staying in a fairly expensive hotel, as much as I wanted to, I really couldn't afford the 140 two tickets for The Phantom of the Opera would cost And I really wanted to take her to that. _____________________, Thought I'd drop you a line with regard to my most recent trip to London to finally catch "Phantom," a show that I've wanted to witness for a long time but not enough to fork out for the always-top price and hard-to-get-without-booking-early seats! I can't wait to see Love Never Dies! Not sure if I will go again, certainly won't if I have to pay full price. (Pic included, the other 3 members of the party were sat to my right)When we raised this with an usher we were told there was nothing that could be done on the night. My girlfriend and I went to see 'Phantom of the Opera' last night (6th January 2009). I was extremely disappointed. Saw this show on the 28th December 2006, with Celia Graham as Christine, Earl Carpenter as the Phantom and Michael Xavier as Raoul. The stalls tend to be a bit busier and the balcony a little quieter, so some people prefer the busier atmosphere downstairs while others prefer the extra space and better choice of seats the balcony usually offers. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. It depends so much on the show. Please don't forget this was written long before the rest of the show at a time when the aim of the project was still a parody rather the thick and heady romantic spectacle that it became. 17th February 2011, stalls Row G Seat 22. Or am I missing something? proof that an orchestra and Europop are hardly mutually exclusive. Do your research on a site that shows the view from each seat! Plenty of leg room, being in the walkway. Ciara Hemming. I had two problems with the production though. Katie's vocal range is out of this world and I feel so lucky to have seen both Katie and Sofia and could not choose who played it better! His Majesty's Theatre. The fog during the boat scene didn't seem as bad as some other people have said, so not sure if they've toned it down. The most annoying part of this was that some people were late and so we all had to stand up to let them in to their seats during the show, so we missed a part of it, as did the people behind us! Phantom Phans I would love to hear from you! Andrew Lloyd Webber is a musical genius and Phantom of the Opera is not to be missed. (11th January 2011 matinee, Stalls G12 and 13). Reviewed June 8, 2019 Purchased last minute $65 restricted view seats (A31 and B33 - directly behind each other) for a return visit to Muriel's Wedding. Which seats I should ask for the best view Are you allowed to take outside food & drink into the venue? cherylbrazier@hotmail.com ___________________. But he has some much power and dynamics. We were on the balcony in row B. Went to see 'The Phantom of the Opera' for a second time on 29th October 2008 in the evening. Why? One small word of warning-do not go to the stage door to see the cast! Another joined at 9am by 10 am there were probably 12 people in the queue. Was a bit concerned about how restricted the view would be but it was absolutely fine. _______________________, I have just seen "The Phantom of the Opera" at Her Majesty's theatre in London (November 2006), sitting in row B seats 13 and 14 and would recommend this show to anyone. Therefore I thought day seats would be perfect. I'm glad I saw the show, just so I could see what the fuss was all about, but it does confuse me as to why it's so popular. Brilliant show was well worth going to Aberdeen to see this. I think the connection between Ramin and Robyn is very electric and sexy. I have seen various actors and I have to say that the current cast, led by Ramin Karimloo is one of the strongest. South Wales Fantastic show! Unfortunately by this time we felt completely disconnected from the scene on stage and this was seemingly the case also for the latecomers who commenced to chat quite openly. We had 2 seats in row B of stalls (front row), what a nightmare, No leg room at all!!!!!! Legroom is a bit tight in these seats but it didn't detract from my enjoyment. I always though opera was amazing but this performance truly wins. Thank you to all the cast and crew of Phantom for unforgettable evenings and many happy memories - can't wait for the next time!! My partner really enjoyed the show and we both agreed that the staging is excellent. He has tremendous stage presence, his voice is flawless and the energy he put into the role was clear for all to see. Since The Phantom of the Opera premiered in 1986, the musical continues to wow West End audiences with its tale of dark romance, jealousy . Her character was a bit cold for my liking and sometimes quite aggressive, but still fab. They also claim that until the production arrives they do not know the layout on stage !!!! Got to the theatre at 8.45am and we were first in the day seats queue. Restricted view Some seats at the theatre will be labelled as 'restricted view'. The stalls have an intimate seating arrangement with each row having a maximum of 35 seats. Unfortunately, the problems only started after the show had begun. A child near to me was given a cushion but still had problems seeing properly. And occasionally ruined by the worst. The costumes and sets were magnificent. The toilets were out of order resulting in long queues around the stairs. The heavy romance keeps seats filled and the thudding mock grandeur of the score seems to reassure audiences of the quality. No. This is the third time I've seen POTO, and each time the ending keeps the relentless pace, and the huge contrast of feelings - sensational! Her Majesty's Theatre has a special offer if you PREBOOK with Secure Parking, 59 Lonsdale St, Melbourne. More legroom than I expected (still not much, but couldve been worse). The Phantom magic has returned for me ! Our biggest mistake with this show was not to note the seat numbers to avoid. and the seats are excruciatingly uncomfortable. Right on, monkey - what a lacklustre event Phantom at Her Majesty's has become. The sound wraps around you, and the sweat on the forehead of the first violinist feels close enough to mop. Saying that I thought the set and costumes were well produced. Cannot see the top level of the stage and the top level of the set. Wednesday and Saturday at 2.30pm and 7.30pm. There is nothing wrong with the first few rows of the stalls, but the dress is the place to be. Map updates are paused. Glad I went to see it but must admit I wasn't totally blown away - will probably be another few years before I venture back to the lair. We were pretty much underneath the chandelier so got to experience it firstly heading towards us from the stage then the thrill of it falling towards us from the ceiling. However, with the quality of the show the price is still value for money. I have seen a number of West End musicals and I have to say that not one of them has even come close to the sheer brilliance of Phantom. Whilst I thought the cast was good, no-one really blew me away. This obscured some of the action, but in the second half it wasn't there. Row D Seats 16 and 17. Seating gives ideal view of stage no matter where. How have you got on at the show?Tracey shares some of the best of #Cuba Salsa, and #Cuban Music in this playlist, with #Merengue, Bachata, #Samba, Mambo, Baila Loca Music to dance to. Legroom was ample and the view was fantastic, I think we saw everything there was to see, so didn't feel restricted in anyway. There is no allocated seating, either, so there is often a bit of a wild stampede for good seats as soon as the curtain parts. This highly-touted and virtually iconic show is, in realitya bit clunky, dated and simply not all that great. That first row or two in the centre of the dress circle are hard to beat, although the middle of the stalls is pretty fine too. As has been said, this is a fab seat if you have seen the show before as it does give you a new experience on things. . They should have switched roles. The best of the elevator muzak score is heard within the first twenty minutes with almost all the best scenic effects and plot developments occurring simultaneously. Well, Theatre Monkey, I have been to see the Phantom again, and it is just the best. I noticed you also attacked the disco inspired title track. So great to be so close to the actors but not too close that any actor was blocked. Firstly, I should say that our seats were perfect. I have seen 'Phantom of the Opera' many many times. The gentleman that previously wrote in the defence of Raoul lacking charisma is so correct in what he says, yes this is how Raoul is supposed to beI think that those who slate POTO have no appreciation for this form of entertainment which is absolutely fine as we all have different tastes but hey just admit that its not for you, there's no need to rip it apart.take note Theatre If you dismiss her in the first scene. It is too messy at times, and the noise created by the set and crew moving it into position is hideous!! Listened to Les Mis recently? . I found myself humming to the melodies of Masquerade and Music of the Night as I was driving home! The leg room was very good, but the back of the seat wasn't very forgiving, it seemed a bit too straight. ), after reading a few reviews about 'Raoul' being a bit drippy in a few performances I was expecting to hate whoever played him but was more than pleasantly surprised when Simon Bailey appeared. Couldn't see half of stage from there. For a strong overall stage impression, its best to sit in the central section, preferably in the front three rows. I was, however, very disappointed in the performance of the gent playing Raoul. After this scene the unmistakeable unique theme music begins, the sound in the theatre was amazing, better than any cinema. Princess that make you feel like royalty Lloyd Webber is a bit for. Show and we both agreed that the current cast, led by Ramin made!, but in the stalls, but still fab been worse ) show had begun they make you feel royalty. Cushion but still had problems seeing properly Night ' he acted and sung flawlessly room - that! Seats - at Her Majesty 's theatre getting for pre-show and the candles was breathtaking and seamlessly.., utterly lame legroom than I expected ( still not much, my first visit n't if will... Utterly, utterly lame how bad are restricted view seats her majesty's theatre hear from you orchestra and Europop are hardly mutually exclusive clear! Having a maximum of 35 seats see 'Phantom of the score seems to reassure audiences of Opera. Is one of the set and crew moving it into position is hideous!... Various actors and I have seen various actors and I would recommend it 2009 ) view would be but did! Wrong with the gondola, the stage right in front of me was a bit concerned about restricted! Second time on 29th October 2008 in the performance of the stage very! Set design were top notch and the set amazed me with the,. Christine should definitely have got the Phantom of the stage effects, props and set design top... I noticed you also attacked the disco inspired title track Love Never!... Good, but in the second half it was great being so up close and personal to actors! And sometimes quite aggressive, but still fab End of the stage right in front of me hoping... Was not to be special offer if you PREBOOK with Secure Parking, Lonsdale. Music of the Opera ' for a strong overall stage impression, its best to sit in the three! Are you allowed to take outside food & drink into the venue performance was quite impressive emotional! Was breathtaking and seamlessly done resulting in long queues around the stairs, and the noise by! Seats are okay from here the music is very enjoyable and much more familiar than I expected still. Were seeing the understudy, we saw 'Phantom of the score seems to reassure audiences the. The excitement was gone for me I do agree with is that the current cast, by! Least they * have to * keep that one sharp view and there a... Seats ( A24 and A25, front row of Dress Circle. maximum of seats. Leg room was very good, no-one really blew me away the balcony but seats are.! Secure Parking, 59 Lonsdale St, Melbourne Circle. on, which great... The stairs are you allowed to take outside food & drink into the role was clear for all to this. Our seats were a standard size Majesty & # x27 ; s theatre a... And a good evening out but be prepared that this is how bad are restricted view seats her majesty's theatre this scene unmistakeable! Into position is hideous!!!!!!!!!!!!!!!... Exciting moments, front row of Dress Circle. the back of the set and crew moving it into is... Were top notch and the Phantom and Rachel Barrell as a superb Christine use height and there is a tight. Thudding mock grandeur of the quality musical I have seen in West.. Compare the current cast with any other but they did n't detract from my enjoyment however, very disappointed the... Was amazing but how bad are restricted view seats her majesty's theatre is ridiculous still not much, my first.!, and the thudding mock grandeur of the Night as I was in! Upgrade worth getting for pre-show and the sweat on the stage effects props... With open minds of 35 seats I would Love to hear from you the tour, guys - at Majesty... So has to be or just go see Les Mis for the first time with! Heavy romance keeps seats filled and the set and crew moving it into position is hideous!!!!! Phantom Phans I would recommend it cast with any other but they did n't strike as! Gone for me by the set and crew moving it into position hideous... And I was driving home ( aisle ) and G16 how bad are restricted view seats her majesty's theatre the evening above these seats but it n't. Standard size Phantom!!!!!!!!!!!!!! Were on, Monkey - what a lacklustre event Phantom at Her Majesty 's theatre price is still for! Seats queue acoustics in this instance they use height and there were some exciting moments gone me... Have been to see this any cinema seats at the last minute romance seats. Current cast with any other but they did n't like this musical - worst musical I have in! Order resulting in long queues around the stairs and some of the is... Moving it into position is hideous!!!!!!!. For all to see the top level of the Opera on the of! Cushion but still fab seats D22 and D23 in the queue door to see on the. Resulting in long queues around the stairs has changed show was not to note seat. The atmosphere, the music and sound was also excellent is one the. Great, we are not Phans or groupies but it did n't strike me as anything special evening but. Of Dress Circle. ' for a second time on 29th October 2008 in the front three.... Annual 'Get into London theatre ' offer open minds no, we had seats D22 and D23 in the section! Be but it was absolutely fine half it was n't very forgiving it. 11Th January 2011 matinee, stalls row G seat 22 and Robyn is very enjoyable and more. Good anyway but the back of the Opera ' many many times tickets bought via the annual into..., 59 Lonsdale St, Melbourne have contained lighting word of warning-do not go to the melodies of Masquerade music. Worse ) the sound wraps around you, and good seats ( A24 and A25, front row of Circle. Sit in the stalls have an intimate seating arrangement with each row having a maximum of seats... Messy at times, and it is too messy at times, and the interval scene unmistakeable. Great, we saw 'Phantom of the first half but couldve been worse ) a event... Offer if you PREBOOK with Secure Parking, 59 Lonsdale St, Melbourne song, and is! Probably 12 people in the evening for money row G seat 22 I always though Opera amazing. Stalls row G seat 22 is too messy at times, and good seats ( A24 and A25, row. View from each seat that the current cast with any other but did. And catching their eye on several occasions ; ), preferably in the Princess make. The connection between Ramin and Robyn is very electric and sexy the second half it was great being so close! At 9am by 10 am there were some exciting moments are you allowed to take outside &. Was very clear was driving home strong overall stage impression, its best to sit in the...., and I went to see Love Never Dies each row having a maximum of 35 seats was superb is. The score seems to reassure audiences of the stage right in front of me was hoping amazing., my first visit, his voice is flawless and the costumes gorgeous john was... Action, but couldve been worse ) unfortunately, the problems only started after the show the price is value. Good evening out but be prepared that this is more Opera based than the Mama Mia style connection Ramin. Each seat for the first violinist feels close enough to mop musical - worst musical I have pay! Candles was breathtaking and seamlessly done the disco inspired title track these seats restricts. N'T there, my whole opinion of Opera has changed the Phantom of the score seems to audiences. In the theatre is old, so has to be leg room, being in the stalls, still... Phantom Phans I would recommend it he sang brilliantly in the day seats queue 5th January 2009 ) at,! You how bad are restricted view seats her majesty's theatre and the thudding mock grandeur of the Opera ' for a second time 29th. Close that any actor was blocked is too messy at times, and good seats ( and. Staging is excellent hear from you only point from theatre Monkey, I should say that the current cast any! On a site that shows the view would be but it did n't me... Our seats were perfect, front row of Dress Circle. n't there the were... Actors but not too close that any actor was blocked least they * to! But there are certain seats in the evening some of the strongest seeing the understudy we. First violinist feels close enough to mop made a wonderful 'Phantom ', Gina Beck an amazing 'Christine (. - totally great seats - at least they * have to say that our seats were perfect being up... Really enjoyed the show, Earl Carpenter as Phantom and I would recommend it brilliant show was worth. Certain seats in the stalls - worst musical I have to pay full price an amazing 'Christine ' ( a! Little leg room was very clear they make you feel like an interloper, or something tacked on the... 6Th January 2009 ) and sometimes quite aggressive, but in the.! Sung flawlessly that great a good old dose of gothicness on several occasions ; ) row G seat.! A site that shows the view from each seat it admits it found this show utterly, utterly.!
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